Chris Lawrie : Curriculum Vitae
Born in Broken Hill in 1949.
Grew up in Glenelg, South Australia.
Studied Art at the SA School of Art and The National Gallery School (Victorian
College of the Arts) 1969 - 1972.
Awarded Painting Prize National Gallery School 1972
Held one-man, two-man Shows and participated in numerous group exhibitions
in Adelaide and Melboune until leaving for London in 1974.

Moved to Sydney in 1984, to Bundeena, south of Sydney in 1990, and in 1995
commenced work on The
History of Salt . . .
Works from The
History of Salt . . . have been exhibited
on numerous occasions in Bundeena and also with
The AAP Bundeena Artists Exhibition
AAP Centre, Sydney 1998
Two Man Show PCL Exhibitionists, Sydney 1999
Southern Sydney Artists - Hazelhurst Gallery, Jan 2000
Southern Exposure 1- Hazelhurst Gallery, April 2001
Centenary
of Federation Exhibition - Hazelhurst Gallery, 2001
Hazelhurst Art on Paper Award
Exhibition - Hazelhurst Gallery2001
One
Man Show - Hazelhurst Gallery 2002
Southern
Exposure 2: National Park - Hazelhurst Gallery, 2002
Untitled
Work: Spot The Box Gallery Sydney 2003
Southern
Exposure 3: Food For Thought - Hazelhurst Gallery, 2003
Hazelhurst
Art on Paper Award Exhibition -
Hazelhurst Gallery 2003
Southern Exposure 4: God's Own Country- Hazelhurst Gallery, 2005
Hazelhurst
Art on Paper Award Exhibition -
Hazelhurst Gallery 2007
Winner of the Prize: Local Artist Award. for 'The Trip . . . (In 1996 we drove from Adelaide to Sydney in the white Falcon and I shot my first roll of film.)
Finalist Sydney Life Art and About Exhibition Hyde Park 2010 Mikhail and the Dust Storm
After The Bel: Hurstville City Museum and Gallery 2010l
Hula Dreams / Ukeleles Gallery East Sydney 2011
One man exhibition 'Settling Dust . . . ' Portrait/Landscape Hazelhurst Regional gallery 2011
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• The
History of Salt . . . is
a project which involves a contemplation
of history. It could be
loosely defined as an interpretation, both personal
and social, of Australian History and its psychological
baggage.
There is also ya secondar and possibly more important intention within this concept and that is that I allow myself the room to reinterpret and present in a contemporary context, unfinished artworks, photographic series etc., from the period 1975 - 1990.
There are recurring themes that resurface
within this context:
ambivalence and
paradox, which are the residue of the migration process, and are
filtered to a lesser or greater degree by generations.
the sea, which is the distance between point A and point B.
weaving: a family tradition, if now only conceptual.
the process of Salting, which can preserve
or destroy, and which hopefully has the inherent qualities necessary to express
and communicate the aforementioned concerns.
Chris Lawrie
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