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One of
Australia’s leading conductors and music educators brought the
sound of angels to Geelong on Sunday 11th September
2005.
Graham
Abbott, the presenter of ABC Classic FM’s “Keys To Music”
program, brought together a number of Geelong choirs for a
one-off event at St. Luke’s Uniting Church in Highton. He took
the singers through a choral master class, using selected
movements from Bach’s St. Matthew Passion.
Mr. Abbott
said, “Bach’s St. Matthew is one of the greatest treasures of
western music. It has the power to move an audience and its
performers.” This was evident to singers and audience alike as
Mr. Abbott’s passion for the music was infectious. He has a rare
ability to encourage singers with his passion and bring out the
beauty of the music and the meaning of the words. Whether old or
young, the singers found something within themselves to
continually improve a phrase, passage or movement.
Over a
number of weeks of rehearsals, the combined choir had been well
prepared by the Chorale’s Director of Music, Rick Prakhoff, and
divided into two evenly balanced sections. Having two choirs is
a particular element of the performance of the St. Matthew
Passion. Both choirs were completely familiar with the two
choral sections, so that Mr. Abbott was able to interchange
whole movements, much to the enjoyment and appreciation of the
audience.
Singers from
the Geelong Youth Choir joined those from the choirs of St.
George’s, All Saints, St. Luke’s, St. Mary of the Angels, and
St. David’s churches, U3A choir, the Split Point Singers,
Wondrous Merry and The Geelong Chorale.
Anne Pilgrim
is to be especially commended for her capable and enthusiastic
accompaniment for the performance.
Review By Amanda Fraser, with thanks to Michael Auciello of the
Geelong Advertiser.
Graham
Abbott and Rick Prakhoff

Graham Abbott
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“A
CHORAL CELEBRATION’’, Friday 17th June 2005
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The
Geelong Chorale joined in “A CHORAL CELEBRATION’’ at The
Basilica of St. Mary of the Angels, Yarra Street, Geelong,
presented by The Geelong Grammar School, The Royal School of
Church Music Australia (Vic.) and The Basilica of St. Mary of
the Angels.
The
concert opened with the combined choirs singing “Psalm 150”
composed by Chorale member Malcolm John.
The
undoubted highlight was, fittingly, the “Celebration Mass”
especially written by Nicholas Buc for the
Sesquicentenary (150th) of Geelong Grammar. This stirring piece
of music combined The Geelong Chorale and the choirs of Geelong
Grammar School, The Geelong College, St. Mary’s Basilica, St.
Luke’s Uniting Church and All Saints Anglican Church.
A feature
of the work was the wonderful brass and percussion players who
were situated up high, at the opposite end of the Basilica. Two
organs, one at each end, thrilled the capacity audience.
This
special choral celebration was ably conducted by Tom Healey,
Musical Director of the Geelong Grammar School.
The
Basilica’s wonderful acoustic accentuated the Chorale’s haunting
interpretation of their individual items “Locust iste” by
Bruckner, “Bogoroditsye Dyevo“ by Rachmaninov and “O Salutaris
Hostias” by Rossini, conducted by Rick Prakhoff.
Review By Amanda Fraser.
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Haydn & Handel,
Saturday,
30th
April 2005
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The
Geelong
Chorale thrilled a full house with Haydn and Handel at All
Saints Church in Newtown last night. The concert was the
Chorale’s first for the year and included Haydn’s “The Great
Organ Mass” and Handel’s “Four Coronation Anthems”.
Conductor
Rick Prakhoff always surprises me with how his mood can create
the right atmosphere with his leadership for each concert.
The
orchestra opened with Handel’s “Concerto Grosso Opus 3 No. 4”
which stilled the audience. Orchestra Leader Ben Castle did a
marvellous job as you could literally hear a pin drop.
Organist
Tom Healey brought the choir to life with Haydn’s Mass. If
anyone had become too calm from the earlier piece, they would
have soon found themselves wide awake.
Each
section of the “Four Coronation Anthems” had its individual mood
and complimented the other. The soloists, Lisa Breen (soprano),
Alison Ralph (alto), Daryl Barclay (tenor) and Brad Walter
(bass), gave terrific support to the Chorale’s fine performance.
“Zadok the Priest” in particular did not disappoint the
audience. This was one of the Chorale’s finest concerts I have
attended.
Review By Teresa Fletcher.
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“St Nicolas and Friends” : Geelong Chorale's premiere
performance of the “St Nicolas Cantata” by Benjamin Britten
conducted by Rick Prakhoff, Costa Hall, Saturday 16th
October 2004.
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Geelong
audiences witnessed a marvellous production of this cantata on
Saturday night. The Geelong Chorale was joined by singers from
the St. Mary of the Angels Choir, the U3A Choir, Wondrous Merry,
the Split Point Singers (Aireys Inlet) and members from St.
Paul’s, St. David’s, All Saints, Belmont Uniting and St. Luke’s
church choirs. Their professional contribution to this wonderful
performance belied their amateur status.
The
Geelong Youth Choir, conducted by Jodie Townsend, was placed
above and to the right of the main stage which heightened the
impact of their excellent singing and the three boy sopranos are
to be admired for their heavenly interpretation as the Pickled
Boys brought back to life.
Under
the expert guidance of Rick Prakhoff, the youthful Bay City
Strings continued to demonstrate their sensitivity in this
performance and Ben Castle played the difficult violin solo in
the first movement with faultless intonation.
The
acclaimed tenor David Rogers-Smith delighted the audience in the
title role of St. Nicolas, successfully communicating the drama
and the introspection of the life of this well-loved saint.
It
should also be mentioned that the audience made a meaningful
contribution to the performance by singing the two hymns with
real commitment.
The
first half of the programme began with The Geelong Chorale
“stripped bare”: unaccompanied and without scores. The
sensitivity of their interpretation of the pieces, “Locus Iste”,
“O Salutaris Hostias” and “Bogoroditsye” reinforced their status
as Geelong’s premier choir.
Another
highlight of the evening was Hugh Davidson’s performance of
Berg’s “Sonata”. He showed that he was a worthy winner of the
Geelong Musical Society’s 2004 Young Musician’s Scholarship.
The Bay
City Strings-Chamber Strings, under the guidance of Ben Castle,
delighted the audience with three varied pieces, including the
beautiful “Sinfonia in C” by Vivaldi.
Congratulations to all involved in mounting such a brilliant
evening and thanks to Anne Pilgim, Geelong Chorale President,
for drawing together the singers and musicians from across the
region, and to Rick Prakhoff for his musical leadership in
giving Geelong a very special evening.
Review By Amanda Fraser.
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“Tuning Up For the
Master”
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On
Sunday 30th May
2004
, the Geelong Chorale
was joined by some 50 singers from in and around
Geelong
and the
Surf
Coast
for an absolutely
wonderful afternoon of music making with one of
Australia
’s most renowned
conductors, Graham Abbott. In the format of an Open
Rehearsal, Abbott gave both singers and audience a unique
opportunity to see how an acclaimed conductor brings music to
performance standard with expert explanation and interpretation.
The Chorale’s Musical Director, Rick Prakhoff had prepared
Mozart’s “Ave Verum Corpus”, Handel’s “Hallelujah Chorus” and
the Kyrie from the “Missa Brevis” by Palestrina prior to the
afternoon and Sonake Miyake was the accompanist.
Review By Amanda Fraser.

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“Welcome, Ruling
Classes!”
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On
26th June 2004
, the Geelong Chorale
presented its annual Café Concert at the Belmont Masonic Centre
Hall. Bach provided the music and one of the choir
members, Susan Howells, adapted the “Peasant Cantata” libretto
to suit the
Geelong
scene. “Good
neighbours all” were welcomed and topical references to Ring
Roads and the all conquering “Cats” were warmly received by the
appreciative audience. A most suitable roast dinner was provided
for “this night of feasting and of song”. The chorale was again
under the expert direction of Rick Prakhoff and accompanist,
Sonaka Miyake.
Review By Amanda Fraser.
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