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                     Cafe Concert: An Italian Evening 22nd June 2008

It’s wonderful to have a concert booked out weeks before the performance date. This happened at our recent Italian Café Concert. It was the first café concert for some years and showed that our patrons really enjoy this format.  The music was selected from Italian opera, madrigals and folk and popular songs.

The concert gave our members the chance to let their hair down – not least in solo performances with Karen Boer and Yvonne Williams giving a whole new meaning to Rossini’s ‘The Cat Duet’ and John Cameron showing off his rich bass technique in Mozart’s ‘Non Piu Andrai’.

Martin Liebermann showed a stratospheric tenor leading the choir in ‘The Chorus of Wedding Guests’ from ‘Lucia di Lammermoor’ and John Stubbings and Helen Lyth tempted both choir and audience to ‘drink to life, youth, love and laughter’ in ‘Brindisi’ from ‘La Traviata’.

Manfred Pohlenz proved yet again his acting and singing mastery in the champagne aria and ‘La ci daram’ duet from Don Giovanni, the latter with Helen.

Our audience enjoyed the opportunity for Cantiamo Insieme! i.e. ’Sing along with The Geelong Chorale’ in popular songs including ‘That’s Amore’ and ‘Volare’.                                                                               Review by Helen Lyth                                        

     

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 Photo from our recent performance, "Requiem" by John Rutter at Sacred Heart Performing Arts Centre on Sat.12th April 2008

 

 

 

 

 

 

 

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Visit of the Sazanami Mixed Choir to Geelong Friday August 18th – Sunday August 20th 2006

  

The Sazanami Choir’s first bracket immediately delighted the audience with the rhythmic etude “Shoga” and “Ame” (Rain).

The two choirs combined for the traditional Japanese song “Fusuru”, “With a Swag on my Shoulder” (arranged by Malcolm John) and “Locus Iste” by Bruckner.

 

The three conductors: Rick Prakhaff, Eiko Hironaka and Katsumi Teranishi.

bullet “St. Matthew Inspires St. Luke’s”, Sunday 11th September 2005
 

One of Australia’s leading conductors and music educators brought the sound of angels to Geelong on Sunday 11th September 2005.

Graham Abbott, the presenter of ABC Classic FM’s “Keys To Music” program, brought together a number of Geelong choirs for a one-off event at St. Luke’s Uniting Church in Highton. He took the singers through a choral master class, using selected movements from Bach’s St. Matthew Passion.

Mr. Abbott said, “Bach’s St. Matthew is one of the greatest treasures of western music. It has the power to move an audience and its performers.” This was evident to singers and audience alike as Mr. Abbott’s passion for the music was infectious. He has a rare ability to encourage singers with his passion and bring out the beauty of the music and the meaning of the words. Whether old or young, the singers found something within themselves to continually improve a phrase, passage or movement.

Over a number of weeks of rehearsals, the combined choir had been well prepared by the Chorale’s Director of Music, Rick Prakhoff, and divided into two evenly balanced sections. Having two choirs is a particular element of the performance of the St. Matthew Passion. Both choirs were completely familiar with the two choral sections, so that Mr. Abbott was able to interchange whole movements, much to the enjoyment and appreciation of the audience.

Singers from the Geelong Youth Choir joined those from the choirs of St. George’s, All Saints, St. Luke’s, St. Mary of the Angels, and St. David’s churches, U3A choir, the Split Point Singers, Wondrous Merry and The Geelong Chorale.

Anne Pilgrim is to be especially commended for her capable and enthusiastic accompaniment for the performance.  

Review By Amanda Fraser, with thanks to Michael Auciello of the Geelong Advertiser.

Graham Abbott and Rick Prakhoff 

 

 

 

 

 

 
                                                                                                                                                         Graham Abbott                                                     

 

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“A CHORAL CELEBRATION’’, Friday 17th June 2005

The Geelong Chorale joined in “A CHORAL CELEBRATION’’ at The Basilica of St. Mary of the Angels, Yarra Street, Geelong, presented by The Geelong Grammar School, The Royal School of Church Music Australia (Vic.) and The Basilica of St. Mary of the Angels.

The concert opened with the combined choirs singing “Psalm 150” composed by Chorale member Malcolm John.

The undoubted highlight was, fittingly, the “Celebration Mass” especially written by Nicholas Buc for the Sesquicentenary (150th) of Geelong Grammar.  This stirring piece of music combined The Geelong Chorale and the choirs of Geelong Grammar School, The Geelong College, St. Mary’s Basilica, St. Luke’s Uniting Church and All Saints Anglican Church.

A feature of the work was the wonderful brass and percussion players who were situated up high, at the opposite end of the Basilica. Two organs, one at each end, thrilled the capacity audience.

This special choral celebration was ably conducted by Tom Healey, Musical Director of the Geelong Grammar School.

The Basilica’s wonderful acoustic accentuated the Chorale’s haunting interpretation of their individual items “Locust iste” by Bruckner, “Bogoroditsye Dyevo“ by Rachmaninov and “O Salutaris Hostias” by Rossini, conducted by Rick Prakhoff.

                                                                                                                      Review By Amanda Fraser.

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Haydn & Handel, Saturday, 30th April 2005

The Geelong Chorale thrilled a full house with Haydn and Handel at All Saints Church in Newtown last night. The concert was the Chorale’s first for the year and included Haydn’s “The Great Organ Mass” and Handel’s “Four Coronation Anthems”.

Conductor Rick Prakhoff always surprises me with how his mood can create the right atmosphere with his leadership for each concert.

The orchestra opened with Handel’s “Concerto Grosso Opus 3 No. 4” which stilled the audience. Orchestra Leader Ben Castle did a marvellous job as you could literally hear a pin drop.

Organist Tom Healey brought the choir to life with Haydn’s Mass. If anyone had become too calm from the earlier piece, they would have soon found themselves wide awake.

Each section of the “Four Coronation Anthems” had its individual mood and complimented the other. The soloists, Lisa Breen (soprano), Alison Ralph (alto), Daryl Barclay (tenor) and Brad Walter (bass), gave terrific support to the Chorale’s fine performance. “Zadok the Priest” in particular did not disappoint the audience. This was one of the Chorale’s finest concerts I have attended.                                                                                           Review By Teresa Fletcher.

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“St Nicolas and Friends” : Geelong Chorale's premiere performance of the “St Nicolas Cantata” by Benjamin Britten conducted by Rick Prakhoff, Costa Hall, Saturday 16th October 2004.

Geelong audiences witnessed a marvellous production of this cantata on Saturday night. The Geelong Chorale was joined by singers from the St. Mary of the Angels Choir, the U3A Choir, Wondrous Merry, the Split Point Singers (Aireys Inlet) and members from St. Paul’s, St. David’s, All Saints, Belmont Uniting and St. Luke’s church choirs. Their professional contribution to this wonderful performance belied their amateur status.

The Geelong Youth Choir, conducted by Jodie Townsend, was placed above and to the right of the main stage which heightened the impact of their excellent singing and the three boy sopranos are to be admired for their heavenly interpretation as the Pickled Boys brought back to life.

Under the expert guidance of Rick Prakhoff, the youthful Bay City Strings continued to demonstrate their sensitivity in this performance and Ben Castle played the difficult violin solo in the first movement with faultless intonation.

The acclaimed tenor David Rogers-Smith delighted the audience in the title role of St. Nicolas, successfully communicating the drama and the introspection of the life of this well-loved saint.

It should also be mentioned that the audience made a meaningful contribution to the performance by singing the two hymns with real commitment.

The first half of the programme began with The Geelong Chorale “stripped bare”: unaccompanied and without scores. The sensitivity of their interpretation of the pieces, “Locus Iste”, “O Salutaris Hostias” and “Bogoroditsye” reinforced their status as Geelong’s premier choir.

Another highlight of the evening was Hugh Davidson’s performance of Berg’s “Sonata”. He showed that he was a worthy winner of the Geelong Musical Society’s 2004 Young Musician’s Scholarship.

The Bay City Strings-Chamber Strings, under the guidance of Ben Castle, delighted the audience with three varied pieces, including the beautiful “Sinfonia in C” by Vivaldi.

Congratulations to all involved in mounting such a brilliant evening and thanks to Anne Pilgim, Geelong Chorale President, for drawing together the singers and musicians from across the region, and to Rick Prakhoff for his musical leadership in giving Geelong a very special evening.                                             Review By Amanda Fraser.

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“Tuning Up For the Master”

On Sunday 30th May 2004 , the Geelong Chorale was joined by some 50 singers from in and around Geelong and the Surf Coast for an absolutely wonderful afternoon of music making with one of Australia ’s most renowned conductors, Graham Abbott. In the format of an Open Rehearsal, Abbott gave both singers and audience a unique opportunity to see how an acclaimed conductor brings music to performance standard with expert explanation and interpretation. The Chorale’s Musical Director, Rick Prakhoff had prepared Mozart’s “Ave Verum Corpus”, Handel’s “Hallelujah Chorus” and the Kyrie from the “Missa Brevis” by Palestrina prior to the afternoon and Sonake Miyake was the accompanist.

                                                                                                        Review By Amanda Fraser.

 

 

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“Welcome, Ruling Classes!”

On 26th June 2004 , the Geelong Chorale presented its annual Café Concert at the Belmont Masonic Centre Hall. Bach provided the music and one of the choir members, Susan Howells, adapted the “Peasant Cantata” libretto to suit the Geelong scene. “Good neighbours all” were welcomed and topical references to Ring Roads and the all conquering “Cats” were warmly received by the appreciative audience. A most suitable roast dinner was provided for “this night of feasting and of song”. The chorale was again under the expert direction of Rick Prakhoff and accompanist, Sonaka Miyake.  

                                                                                                            Review By Amanda Fraser.

Last Modified February 08, 2009.
This site is currently updated by Amanda Fraser.
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